By Blake Parker
Alaskan Tapes’ latest album, The Ocean No Longer Wants Us, is a lush and beautiful ambient soundscape. Mellow meanderings of piano or electric guitar melodies offer a listening experience that does not demand attention but enhances atmosphere; abstract scratches and taps give the album a lived-in feeling much like home videos or personal audio recordings.
When not composing ambient sounds for full length albums or E.P.s, Alaskan Tapes a.k.a Brady Kendall works to create music specifically for film and visual arts. It’s no surprise Kendall’s music has found its way into numerous short films, as the music itself begs to tell a story of nostalgia, loss, dazedness, youth, or a combination of all of these themes. This skilled command of music that enhances existing stories carries well into the recorded albums of Alaskan Tapes.
Curious and charming, much of The Ocean No Longer Wants Us has a musical body that swells and dissipates without any acute recognition. Wide and warm synth pads and soft hums of amorphous sound make an extremely cozy bed of sound for the ears. This effect, combined with the sublayer of abstract noise accomplishes a remarkable experience not found in all ambient music. Songs can find themselves in a meditative repetition, and then can so gently bleed into other sections of the composition that a brand new musical motif is occurring without the listener ever realizing the transition. Needless to say, Kendall has a beautiful control of the listener’s attention, and uses it to his distinct advantage in creating even more mesmerizing music – of which The Ocean No Longer Wants Us is no exception.
Whether in need of warm, tape-loop-esque study music, something more artfully composed for aiding sleep, or simply a soundtrack to your next sepia tone adventure, be sure to give the new album The Ocean No Longer Wants Us the listen that it most certainly deserves.