By Blake Parker
Dusseldorf native Tom Blankenberg has led a life surrounded by music. Finding work in production, sound design, film soundtracks, and advertising, he has since settled into creating music for himself, and for us. On February 15th, his newest album titled Atermus is set to release.
Opening with beautifully pensive, sophisticated yet friendly tones, Atermus leads the album with a blend of classical, jazz, and free-form minimalism styles that is satisfying in its diversity. Rarely sitting in a key for long, each track floats nevertheless smoothly and often sans rhythm across the album. What structure there is to grasp is mellow and comfortable, almost effortless, as if Blankenberg has been practicing his entire life to play these notes on the recording, just for the listener.
Thematically, Atermus hovers in a unique limbo between transiently care-free and starkly apprehensive. These two sides of the coin can flip within a line of melody itself, let alone multiple times across a single track, exhibiting the expert gracefulness of a musician purely in control of his sound. Sometimes with grandeur, other times with melancholy, Atermus gives an impression of fluidity in emotion that echoes life itself. In one moment the quick flutter of bright piano produces hopefulness and high spirit, then the next flutter descends to painfully sweet minor chords bringing that hope into a form of regret or subtle disenchantment.
Blankenberg’s music has a spellbinding looseness to it which is integral to the sounds of Atermus. Each of his compositions flows outward the way speech does in conversation - reactive, progressive, sometimes abstract. These compositions don’t feel like compositions so much as an account of stream-of-consciousness thought. While many writers and performers of contemporary classical music actually sound calculated and careful in their works, Blankenberg sounds at ease, unconcerned, and relaxed. It is a pleasant experience, like listening to a story told by a wise, elderly family member who may add his own flair to the details each time it is told. By this token, Blankenberg’s Atermus deserves praise for its uniqueness in this respect, as well as in the level of skill shown in this minute detail of the album’s sound.
In short, Atermus is a gorgeous and inquisitive soundscape, with countless rises and falls in the overarching story it tells. To find out how the story ends, though, you’ll have to wait until February 15th and give Atermus a listen of your own.