By Amanda Nordqvist
On May 18th, the brightly brilliant From the Mouth of the Sun, comprised of Aaron Martin and Dag Rosenqvist, released their latest work, Sleep Stations EP – a gorgeous continuation of their previous works, as the pieces were actualized alongside many of the tracks from both their full-length album, Hymn Binding (2017) and the soundtrack they scored for Menashe. There is nothing repetitive or derivative about their new EP, though, as the musicians managed to sum up a different theme and focus fully on it, transforming the six pieces into a work of art that stands separate from their predecessors, while still carrying many of the characteristics of the pieces that came before.
The short intro, About the Birth of Stars, with its completely innocent and intimate sound, brings us closer than I could have imagined possible – soaring strings and fluttering wings take us up and forward, through some magnified version of the universe we’re about to enter. It transcends into the warm but lonely Reaching When Nothing Is There; we hear the sorrowful, absentminded humming of someone awake while the rest of the world is asleep, deeply affecting on some new level of distress – add in a beautiful new voice and suddenly we see, we hear, twinkling stars like an answer to the void, to the empty, and maybe all is well again.
The swooping, minimalistic ambience of About the Life of Stars send images flying through my mind – I can practically see the sound waves rolling through the air, like the curves of the mountains, framing the sky, vibrating with the deep rumble of Earth’s constant movement. The title track follows then, a long, unhurried beginning where I strain to hear the rustling static, telling of the story coming more and more into focus. It grows slowly, so slowly, into a rumbling droning: the track moves like the gentlest of giants, walking through seas like they’re puddles – slow and careful but ever moving.
About the Death of Stars brings us hastily down to earth again, with a new longing for the infinite sky above us – the piece is like a eulogy of sound, with dramatic cello backed up by the safety and clarity of the piano. A second part of the track allows for a sudden growth into a grander state, the breathtaking cries of strings being soothed in their mourning by the steadfast piano, only to fade out into a delicately somber outro. Ending on A Place We Cannot See, with a shuddering melody, exposed and fragile but completely unafraid, the EP finds a hopeful sound to break through the clouds, and becomes the rebirth of all the things we once lost. Staying true to their sound, From the Mouth of the Stars has brought forth another beautiful addition to their growing collection of releases, with Sleep Stations EP proving a perfect next step for the duo.