Solitary High by Lavalu / by Sergio Díaz De Rojas

By Björk Óskarsdóttir


Dutch musician Marielle Woltring, aka. Lavalu, released her solo album Solitary High on October 5th this year. Woltring has a lot of experience performing her music live, and has years of touring under her belt. Composing under the artist name Lavalu since 2004, she has studied and played the piano since the age of three, getting well acquainted with all of the bigger names of the piano repertoire. On Solitary High, she makes the shift from performing with a band to being on her own with her voice and the piano.

Lavalu draws some of her inspiration from artists such as Radiohead, Roisin Murphy, Fiona Apple and Björk – this is audible in her style of singing and is guaranteed to please those who keep a special place in their hearts for alternative 90’s music. Considering all that, a good way to enjoy Solitary High is spending an hour lying down, listening to it with good headphones and the lyrics printed in hand (no digital distractions!), as many of us would and still might spend time with our 90’s musical heroes.

The first track, Waiting, has received a considerable amount of attention around the web; it has a beautiful flow to it, the melody and accompaniment nicely divert between contrasting and finding each other. This is a main element of Lavalu’s compositions, but she makes a point of keeping the accompaniment classical and the vocals pop.

The lyrics on the album are nice and poetic. In general, they are not too literal and not ambiguous either, apart from the final track, Too Much, which differs from the rest not only for the fact that it is a cappella but because the lyrics seem to be a separate poem, a direct break-up letter. Other notable tracks are Bare, with its peculiar melody and minimal left-hand background. Longest Dawn has a more dramatic feel to it and a nice 6/8 rhythm, making it stand out. Milk and Swaying are the tracks that perhaps give most of the 90’s nostalgia – something about them reminds me of the likes of Massive Attack. In fact, there is a resemblance with the dark, beautifully sad tone of Elizabeth Fraser’s voice throughout the album; a vibe that has so often been attempted to imitate, but rarely paralleled as naturally and effortlessly as with Lavalu. A real treat.

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